Laptop displaying photo-editing software with interior shoot images being culled and selected.

the stylist's eye

The work is collaborative.
The eye is the constant.

The work is collaborative.
The eye is the constant.

Great design and a great photograph aren't the same skill, and I bridge the two.


I work with interior designers and photographers who need a skilled creative partner on set — someone who understands how a room reads on camera and how a shot list becomes a cohesive story.


A designer designs a space to be lived in. I frame it to be seen.


That means pre-production conversations, not just show-up-and-style. On shoot day, I handle the details that make the difference — composition, layering, pacing, the edit.

Great design and a great photograph aren't the same skill, and I bridge the two.


I work with interior designers and photographers who need a skilled creative partner on set — someone who understands how a room reads on camera and how a shot list becomes a cohesive story.


A designer designs a space to be lived in. I frame it to be seen.


That means pre-production conversations, not just show-up-and-style. On shoot day, I handle the details that make the difference — composition, layering, pacing, the edit.

DAY RATE · TRAVEL · FLORALS · PROP SOURCING

THE art COLlECTION

ART When the space calls for it.

ART
When the space calls for it.

Through my partnership with Candita Clayton Gallery, I have access to curated fine art and handmade objects for shoots that need something beyond what's already in the room. When the right piece would make a shot, I can find it.

before we begin: What I ask before day one

before we begin:

01 What story do you want these images to tell?

02 Which spaces and details are the highest priority?

03 Who's the audience for these photographs?

04 What's already on-site, and where should I focus on elevating the space?

05 Any logistics I should know before shoot day?

01

What story do you want these images to tell?

02

Which spaces and details are the highest priority?

03

Who's the audience for these photographs?

04

What's already on-site, and where should I focus on elevating the space?

05

Any logistics I should know before shoot day?

Have a shoot in mind? Let's talk about it.

Every great shot begins at the intersection of styling and art direction.

MELINDA COX · PROVIDENCE, RI · MELINDACOX.COM

Every great shot begins at the intersection of styling and art direction.

MELINDA COX · PROVIDENCE, RI · MELINDACOX.COM